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Latest in Production Value

‘Poker Face’ Cinematographer Jaron Presant On Telling A Story “Visually And Not Expositionally” – Production Value

‘Pinocchio’ Composer Alexandre Desplat On The “Joyful Melancholy” Of The Story And Score – Production Value

‘Everything Everywhere All At Once’ Editor Paul Rogers On Pushing The Edit Until It Breaks – Production Value

‘Amsterdam’s Heads Of Hair And Makeup On Crafting A Fringe-Period Style For An “Eclectic” Group of Outsiders – Production Value

‘Glass Onion’ Cinematographer Steve Yedlin On Puzzling Together The “Theatricality And Narrative” Of A Mystery – Production Value

‘Till’ Costume Designer Marci Rodgers On Her “Serendipitous” Journey And Using “Color To Tell The Story” – Production Value

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